Atlas
Table Lamp
02
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Named for the Titan doomed to shoulder the world, Atlas combines an illuminated glass globe with an intersecting Metal armature, drawing on Karl Zahn's elegant use of geometry and metaphor in design.
- (Series)
- Atlas
- (Product)
- Table Lamp
- (Design Year)
- (Designer)
- Karl Zahn
- (Dimensions)
- (Weight)
- (Materials)
- Glass, Metal
- (Finishes)
- Blackened Brass
- (Color)
- (Wood Species)
- (Glass)
- (Color Temperature)
- (Canopy)
- (Backplate)
- (CRI)
- (Diffuser)
- (Hang Straight)
- (Certifications)
- (Ceiling Slope)
- (Ratings)
- (Suspension)
- (Wood Finish)
- (Drop Length)
- (Seat Dimensions)
- (Cord Length)
- (Arm Height)
- (Fixture Mounting)
- (Leg Height)
- (Driver Location)
- (Weight Capacity)
- (Enclosure Dimensions for 240V)
- (Fabric Consumption)
- (Lamping)
- (Leather Consumption)
- (Bulbs)
- (Candle)
- (Dimming)
- (Other)
- (Lumens)
- (Assembly)
- (Installation)
Order Samples
Metal Finishes
Blackened Brass
$12
Designer Feature
Karl Zahn's work with materials developed out of his time spent playing in forests and wood shops in rural Vermont. After earning a degree in product design from the Rhode Island School of Design in 2003, he pursued his material exploration on the west coast as a metal fabricator for an interior architecture company with a design collection of their own. It was there that he first started working with lighting.
After moving to Brooklyn in 2007, Karl began pursuing his own product designs and building a career in the NY art and design community. In 2019, after a decade at the eponymous lighting company Lindsey Adelman Studio, he left his position as design director to focus on his own lighting projects, and on continuing collaborations with companies like Roll & Hill. Currently his work can be found in homes around the world, and at the design gallery The Future Perfect and their locations in New York, Miami, San Francisco, and Los Angeles.
